Aardvark in Gloves and Butterscotch

Oct 08

"I'm eating yellow slop. What of it!?"

It’s not often I post personal photos, but since I was lucky enough to snap this one at London Zoo yesterday, I felt it only right that I share it with the world. I call it “Aardvark in Gloves and Butterscotch”, and it may be the best photo of an aardvark that I will ever take. 

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London 2012: A Realist’s Memoir

Sep 11

The Hyperbole Beast, thrashed up to 11

Last night, just off Putney High Street, I came across a poignant sight. Walking ahead of me, her head hanging a little low, was a “games maker” – one of those generous people who volunteered help throughout London 2012. She was moving slowly, as if to savour this final journey in her Olympic regalia, and the purple of her branded tracksuit splashed vividly against the dazzling sunset. I can only assume she was returning from the heroes’ parade – the last hurrah for the London Olympics, 2012 – which meant that the comedown had already begun. Tomorrow she was moving back to reality. 

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How to get a job in the games industry (almost completely by accident)

Sep 03

Members of our hard working creative team (courtesy of Language City London and Mindshapes)

Getting a job as a game designer, tester or writer is the big dream for so many people, and yet I work with these talented but lucky buggers every day. Quite how that happened is a bit of a mystery. They worked hard to get to where they are and, quite rightly, they’re proud of themselves. Heck, I’m proud of them too, though I’m not sure they could say the same for me. I ended up working in the games industry without ever having intended to. Far from working my arse off trying to get the job I have today, I kind of woke up one morning with the words “game writer” on my CV. For a man who, a year ago, didn’t know an RPG from an SUV, it’s been quite an intense six months.

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Tricky revives Maxinquaye: a review

Apr 30

Tricky in concert, not performing Maxinquaye

On Twitter, they’re baying for the artist’s blood – or a hauling over the coals for violating the trade discriminations act, at the very least. The offence? Announcing the performance of a much-loved album, and then doing as little of it as possible on the night.

With hindsight, this weekend’s series of onstage car crashes should have been spotted well in advance. The latest nostalgia trend, in which artists past their prime look back on kinder royalty cheques and agree to wind back the years to perform their best selling album in its entirety, is exactly the kind of thing you’d expect from The Charlatans or Oasis (Liam has the Morning Glory anniversary tour pencilled in for 2015). 

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Rare Nick Drake track gets a long awaited listen

Jan 27

Noel Fiedling and Julian Barrett © Michael Burdett

The geography of Nick Drake’s London was never exact. His record company famously claimed they had no idea where he lived; received wisdom has it that he spent much of his time in and around Hampstead, possibly Haverstock Hill; the only journalist that ever interviewed him noted that he barely existed at all. And so the shadowy streets and decaying railway arches of Shoreditch seem congruous enough to stage the next movement in the making of Nick Drake’s myth. Michael Burdett – a TV composer by trade – presents a 160-strong collection of photographs entitled the Strange Face Project at the Idea Generation Gallery until February 12. However, Drake fans should not come expecting previously unseen snaps of the tragic singer-songwriter – instead, they’ll find photos of people listening to his music.

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